Issue 105-106
I-IV 2004
38 €
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ESPAÑA 2004
Balance del año
Summary of the Year
Luis Fernández-Galiano
Gestos de fuerza
Signs of Strength
Luis Fernández-Galiano
El urbanauta ante el muro
The Urbanaut and the Wall
Gigantes de puntillas
Tiptoeing Giants
2003, una antología
2003, an Anthology
Piezas en concierto
Pieces in Concert
Palacio de Congresos y Exposiciones, Mérida (Badajoz) Congress
and Exhibition Center
Nieto & Sobejano
Palacio de Congresos, Peñíscola (Castellón) Congress
Center
Paredes & Pedrosa
Palacio de Congresos y Auditorio, Pamplona (Navarra) Congress
Center and Auditorium
Francisco Mangado
Auditorio, Santa Cruz de Tenerife Auditorium
Santiago Calatrava
Movimientos a escala
Scale Movements
Estación intermodal, Zaragoza Intermodal Station
Ferrater & Valero
Estación de autobuses, Casar de Cáceres (Cáceres) Bus
Station
Justo García Rubio
Estadio de fútbol, Baracaldo (Vizcaya) Football Stadium
Eduardo Arroyo
Pabellón polideportivo, Madrid Sports Pavilion
Ábalos & Herreros, Ángel Jaramillo
Escenarios urbanos
Urban Scenes
Hospital materno-infantil, Madrid Maternity and Children´s
Hospital
Moneo & De la Mata
Museo Arqueológico, Almería Archaeological Museum
Paredes & Pedrosa
Mercado municipal, Villajoyosa (Alicante) Municipal Market
Soto & Maroto
Ayuntamiento, Tomares (Sevilla) Town Hall
Guillermo Vázquez Consuegra
Historias transformadas
History Transformed
Centro cultural El Musical, Valencia El Musical Cultural
Center
Eduardo de Miguel
Centro universitario, Salamanca University Hall
Carlos Puente
Biblioteca y aulario, Madrid Library and Lecture Hall
José Ignacio Linazasoro
Remodelación del Paseo del Óvalo, Teruel Refurbishment
of the Paseo del Óvalo
Chipperfield & b-720
Enfoques académicos
Academic Approaches
Centro de Altos Estudios Musicales, Santiago (La Coruña)
Center for Music Studies
García-Abril & Ensamble Studio
Biblioteca universitaria, Tarragona University Library
Martínez Lapeña & Torres
Centro Europeo de Innovación, Armilla (Granada) European
Innovation Center
Martínez & Soler
Campus universitario, Vigo (Pontevedra) University Campus
Miralles & Tagliabue
Vida de bloque
Living in a Block
Viviendas sociales, Madrid Social Housing
Aranguren & Gallegos
Viviendas, locales y aparcamiento, Barcelona Dwellings,
Shops and Parking Lot
Manuel Ruisánchez
Viviendas sociales, Conil de la Frontera (Cádiz) Social
Housing
Javier Terrados
Viviendas de alquiler, Madrid Dwellings for Rent
Carvajal & Casariego
Un año en el mundo
A Year in the World
Luis Fernández-Galiano
Babel contra Babilonia
Babel vs. Babylon
Luis Fernández-Galiano
Doce meses y cuatro estaciones
Twelve Months and Four Seasons
El año en doce edificios
The Year in Twelve Buildings
Premios y pérdidas
Distinctions and Disappearances
Luis Fernández-Galiano
Signs of Strength
Putting the reason of strength before the strength of reason, the only
superpower of the 21st century uses the trauma of 9-11 to impose a new
imperial order on the planet. Despite the reluctance of allies, the US
went into Iraq with the purpose of altering the geopolitical balance in
a world where the access to energy is still the essential factor, and
where Islamic terrorism is beginning to look like the most threatening
element; but military success has neither made the planet safer, nor has
it consolidated the economic leadership of the US, that – in view
of the disagreements within the EU, the stagnation of Japan, the decline
of Russia or the uncertainties of India or Brazil – sees the development
of China as the main risk for its future hegemony. From the reconstruction
of New York’s Ground Zero to the projects for the Beijing of the
2008 Olympic Games, an architecture of gestures and symbols reflects the
emotional temperature of a time more attentive to screams than to whispers.
The Winter Crisis
Manhattan was stage, during the winter, for two simultaneous struggles:
in the United Nations headquarters, Washington tried to persuade the Security
Council of the need to attack Iraq in search of elusive ‘weapons
of mass destruction’ and in the site of the Twin Towers, the architects
strove to present their proposals for a reconstruction that would restore
the urban fabric and remember the victims. The first conflict was settled
with the failure of the multilateral strategy and the decision of the
US to launch an attack with the military support of the United Kingdom
and the rhetorical backing of Spain, faced with the popular rejection
which took shape on February 15 in the largest demonstration in history;
the second, with the victory of Daniel Libeskind, who remembered his being
an immigrant Jew to defend with jingoism a fractured and elegiac project,
rounded off by a tower that evokes the Statue of Liberty and rises to
a symbolic height of 1,776 feet.
On the opposite end of the world, Beijing prepared its spectacular entry in the global scene on the occasion of the Olympic Games commissioning two European offices – after two competitions, and in both cases with the intervention of the engineer Cecil Balmond – to design the most important works of the event: the Dutch Rem Koolhaas (defender of an Euro-Asian alliance to face American arrogance) shall build the loop-shaped headquarters of CCTV, the public network broadcasting the Games; and the Swiss Herzog & de Meuron will raise the olympic stadium as a nest woven with steel threads.
Violent Spring
The war on Iraq began in the spring – which also brought the plundering
of its cultural and archaeological heritage, in the Fertile Crescent where
cities were born – , and its somber consequences took the shine off
the season’s architectural awards. The Pritzker Prize to the veteran
Jørn Utzon (author of the Sydney Opera House, but also of the Kuwait National
Assembly, razed by Saddam Hussein’s troops in 1991) was presented
in Madrid in the absence of the awardee, who refused to abandon his Majorcan
retreat; the European Mies Award (which went to a small intermodal terminal
in Strasbourg), was received in Barcelona by the Iraqi Zaha Hadid, in
a year which also witnessed the completion of her first American work
in Cincinnati; and the Japanese Praemium Imperiale distinguished her teacher
at the Architectural Association, Rem Koolhaas, author of a bar code flag
for a Europe that ought to look towards Asia.
His colleagues in Beijing, Herzog & de Meuron, inaugurated in Tokyo a store for Prada (another shared client), completed in Basel an innovative gallery (the Schaulager, for storage and exhibition purposes at once), and received the British Stirling Prize for their Laban Dance Centre in London. But, just as it would happen later with the Gold Medal of the Royal Institute of British Architects to Rafael Moneo, the Alvar Aalto medal to the Colombian Rogelio Salmona, or the Spanish awards to Víctor López Cotelo, Alejandro Zaera or Mansilla & Tuñón, the celebration of openings or prizes were affected by the year’s convulse climate.
A Somber Summer
Urbanism was the talk of the summer, both for the fallout of Madrid’s
regional election, which had to be repeated after a scandal of corruption,
drawing attention towards the ‘garbage urbanism’ spawned by
the property bubble, and for the colossal blackout in America’s East
Coast on August 15 – and in Italy a month later –, that urged
to think about the technical fragility of the city and the postindustrial
territory, in tune with the concern for security sparked by the increase
of terrorist attacks in the world.
Meanwhile, on the site of 9-11 where this new urbanism of terror was born, the second anniversary of the catastrophe brought new plans for Ground Zero, incorporating the British Norman Foster, the French Jean Nouvel (authors of the shell-shaped skyscrapers going up in London and Barcelona respectively) and the Japanese Fumihiko Maki for the projects of the towers – the taller one of them had been previously commissioned to the American David Childs, of SOM –, and the Spaniard Santiago Calatrava for the design of the transport hub; all decisions that cut down the role of the competition winner, Daniel Libeskind, to that of artistic consultant for the complex.
The Valencian Calatrava – whom after living in Zurich and Paris plans to settle in Manhattan, just as Libeskind did leaving Berlin –, was also the protagonist of the first days of autumn, with the inauguration of his Auditorium in Tenerife, a large gesture on the edge of the Atlantic whose construction began fifteen years ago, the same as the Disney Hall of Frank Gehry in Los Angeles, another extraordinary example of sculptural work in the tradition of Utzon’s Sydney Opera and his own Guggenheim in Bilbao. In contrast with these two spectacular auditoriums, that of Francisco Mangado in Pamplona shows a model of restful and urban architecture, perhaps metaphor of the civil serenity that is essential in a Spain tensioned by the nationalist demands of the Basque Country and Catalonia.
In a Europe still divided by the Iraq war, the year comes to an end in the symbolic scenario of Berlin, where Rem Koolhaas has inaugurated the Dutch embassy and an exhibition at the Neue Nationalgalerie – coinciding with the completion of his campus center in Chicago’s IIT, another mythical work by Mies – that hopes to express the political sensibility of architecture, in agitated times marked by the strength of signs and the signs of strength.