Located in Taizhou, this contemporary art museum is another example of the conversion projects that are becoming more frequent in China, whereby obsolete industrial buildings are transformed into cultural facilities. The museum is a key piece in the Shamen Grain Depot Cultural and Creative Park. Comprising eight exhibition rooms, this project occupies a total construction area of almost 2,500 square meters.
The key idea behind the project is that of connecting three complementary notions: transparency, promenade, and atmosphere. Transparency, in terms of space, is achieved by arranging the exhibition halls at different heights so that they infiltrate into each other, offering the visitors a step-by-step sense of upward movement during the promenade inside. With a helix motion the visitors ascend, layer by layer, in the enclosed structure, and ultimately reach the exhibition room on the top floor, where the view of Feng Mountain suddenly bursts in.
The artistic spatial atmosphere is stressed through the marked chiaroscuros created by interlocking buildings and by the comparison between the roughness of the cast-in-situ concrete of floors and walls and the exquisite space formed by the small barrel vaults, whose sequence rhythmically modulates the building’s ceilings.
analyzes in each issue a theme related to a city, a country, a tendency or an
architect, with articles by leading specialists complemented by commentary on works
and projects illustrated in detail. Published bilingually, with Spanish and English
texts placed side by side.
covers current topics, taking stock of recent trends in set sections: cover story,
works and projects, art and culture, books, technique and innovation. From 2013
on, monthly and bilingual, with Spanish and English texts printed side by side.
is the third member of the AV family: a bilingual publication essentially focussed
on design projects (with special attention on competitions and construction details),
heretofore only laterally dealt with in the other two magazines.