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Friday, July 20, 2018
CASAS DE AUTOR

AV Monografías 72

CASAS DE AUTOR

VII-VIII 1998

CASAS DE AUTOR

Signature Houses

Luis Fernández-Galiano
La vida de la casa
The Life of the House


Experimentos domésticos  Domestic Experiments

Casa en Burdeos, Francia  House in Bordeaux, France
Rem Koolhaas / OMA
Casa doble en Utrecht, Países Bajos  Double House in Utrecht, Netherlands
MVRDV & Bjarne Mastenbroek
Casa S en Okayama, Japón  S-House in Okayama, Japan
Sejima & Nishizawa
Casa sin paredes en Karuizawa, Japón  House Without Walls in Karuizawa, Japan
Shigeru Ban


Habitaciones parejas  Paired Dwellings

Casa para dos familias en Basilea, Suiza  Two-Family House in Basel, Switzerland
Harry Gugger
Casa doble en Múnich, Alemania  Double House in Munich, Germany
Werner Bäuerle
Casas adosadas en Bregenz, Austria  Terraced Houses in Bregenz, Austria
Walter Unterrainer
Dos casas en Múnich, Alemania  Two Houses in Munich, Germany
Hammer & Schmid-Hammer


Grados de transparencia  Degrees of Transparency

Casa de vidrio en Almelo, Países Bajos  Glass House in Almelo, Netherlands
Dirk Jan Postel
Casa en São Paulo, Brasil  House in São Paulo, Brazil
Andrade & Morettin
Casa en la Dordoña, Francia  House in the Dordogne, France
Lacaton & Vassal
Casa Köchlin en Basilea, Suiza  Köchlin House in Basel, Switzerland
Herzog & De Meuron


Materia abstracta  Abstract Matter

Casa Kern en Lochau, Austria  Kern House in Lochau, Austria
Baumschlager & Eberle
Casa en Dornach, Suiza  House in Dornach, Switzerland
Morger & Degelo
Casa Hürzeler en Erlenbach, Suiza  Hürzeler House in Erlenbach, Switzerland
Peter Märkli
Casa P en Gramastetten, Austria  House P in Gramastetten, Austria
Pauhof Architekten


Memoria local  Local Memory

Casa Gnädinger en St. Gallen, Suiza  Gnädinger House in St. Gallen, Switzerland
Beat Consoni
Casa en Bad Tölz, Alemania  House in Bad Tölz, Germany
Fink & Jocher
Casa en Bérgamo, Italia  House in Bergamo, Italy
Citterio & Dwan
Villa Eila en Mali, Guinea-Conakry  Villa Eila in Mali, Guinea-Conakry
Heikkinen & Komonen


Paisajes enmarcados  Framed Landscapes

Casa en Moledo, Portugal  House in Moledo, Portugal
Eduardo Souto de Moura
Casa en Viana do Castelo, Portugal  House in Viana do Castelo, Portugal
João Álvaro Rocha
Casa en Phoenix, Arizona, EE UU  House in Phoenix, Arizona, USA
Wendell Burnette
Casa en Phoenix, Arizona, EE UU  House in Phoenix, Arizona, USA
Williams & Tsien

 

The Life of the House

The house puts us to the test. If the domestic project is about life, any house makes us choose between effort and routine. In his prologue to Ibn Hazm’s The Ring of the Dove, Ortega y Gasset described the existential ambiguity of the Germanic and Arabic peoples that grafted themselves onto the sclerotic remains of the Roman Empire by explaining how they combined “life as it should be” and “life as usual”: the exemplary character of classical life and the everyday nature of their barbaric life. Camped on the edges of a modernity afflicted with necrosis, architects try to reconcile the ethical and utopian component of the modern house with the choreographic dimension of age-old habits: the rhetorical model of “life as it should be” and the wearied reality of “life as usual.”

Nevertheless, the luminous totalitarianism of modern reason contemplates the house with skepticism. Its individual condition is opposed to the collective logic of the city, and its uniqueness hardly harmonizes with the universality of the modern project. Alejandro de la Sota, whose provincial extremism reflects modern radicality, often said that the project of the house, as a service to a client, is incompatible with the dignity of the architect, who only preserves his integrity if he transforms the commission into an experience. Archaic to the futuristic architect and petit bourgeois to the revolutionary, the house acquires modern legitimacy only if it subverts customary practice – instead of building routine, “how we should build,” and instead of functional routine, “how we should live.”

But we no longer know how we should live, nor whether such a question can still be formulated. Liberal pluralism and social-democratic conformity have reduced life to the private domain, and this to the consumption of ‘lifestyles’. Adorno expressed it well in an aphorism of his Minima moralia: “What to philosophers used to be life, has become the sphere of the private, and afterwards simply one of consumption.” And this, a “caricature of real life,” transforms the quest for a just life into a traurige Wissenschaft – far from the fröhliche Wissenschaft of the Nietzsche who, in asserting his vital autonomy from the domestic yoke, gladly wrote: “I do not own a house.” Nowadays, alas, it is our lives we are not the owners of.

Restricted to the domestic field, life becomes an abridged falsification. Segregated from the urban scene, the life of the house emits a suffocatingly sweet aroma. To build some residences it is necessary to set up intimate relationships: professional services of those who hire themselves for dreaming, like the character of García Márquez. Not surprisingly, the modern dogma seeks more choral dreams in other collective subjects, upholding the order of production over the disorder of demand and desire so that “life as it should be” prevails over “life as usual.” For if the house of life, in the labyrinthian search of Mario Praz, is but a nostalgic container of memory, the life of the house contracts into the melancholic dimension of habit. The house puts us to the test, but to a test we do not know how to pass.

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