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Friday, April 27, 2018
MATERIA SUIZA

AV Monografías 89

MATERIA SUIZA

Swiss Matter
V-VI 2001

MATERIA SUIZA

Swiss Matter
Luís Fernández-Galiano
Suiza de excepción
Exceptional Switzerland


Un arte táctil
A Tactile Art


Jacques Lucan & Martin Steinmann
Construcciones helvéticas: tema y variaciones Helvetian Constructions: Theme and Variations

Justo Isasi
Pieles alpinas: hormigón, madera, metal y vidrio
Alpine Skins: Concrete, Wood, Metal and Glass


Hormigón por principio Concrete on Principle

Cabina de transformadores Transformer Station
Morger & Degelo

Terminal de equipaje, Zúrich Baggage Terminal, Zürich
Dürig & Rami

Escuela Volta, Basilea Volta School, Basel
Miller & Maranta

Tres villas, Beinwil am See Three Villas, Beinwil am See
Gmür & Vacchini


Tocar madera Knock on Wood

Vivienda unifamiliar, Flawil Family House, Flawil
Wespi & De Meuron

Casa para un carpintero, Grossdietwil House for a Carpenter, Grossdietwil
Blum & Grossenbacher

Establos y matadero, Vrin Stables and Abattoir, Vrin
Gion Antoni Caminada

Escuela de ingeniería maderera, Biel Wood Engineering School, Biel
Meili, Peter & Vogel


Tanteos metálicos Metallic Trials

Telesilla Carmenna, Arosa Carmenna Chair Lift, Arosa
Bearth & Deplazes

Polideportivo Buchholz, Uster Buchholz Sports Center, Uster
Camenzind & Gräfensteiner

Centro comercial, Lucerna Shopping Center, Lucerne
Diener & Diener

Parque-museo, Kalkriese (Alemania) Museum Park, Kalkriese (Germany)
Gigon & Guyer


Velos de vidrio Glazed Veils

Ampliación de escuela, Collombey School Extension, Collombey
Galetti & Matter

Biblioteca universitaria, Lausana University Library, Lausanne
Devanthéry, Lamunière & Freudenreich

Estadio St. Jakob, Basilea St. Jakob Stadium, Basel
Herzog & de Meuron

Pabellón deportivo, Zug Sports Center, Zug
Bétrix & Consolascio


 

Luís Fernández-Galiano

Exceptional Switzerland

Switzerland is indeed an exceptional country. Exceptional in its affluent fortress of caution, and exceptional also in a stubborn reluctance to linkage, this Alpine haven is at the same time a precinct of exclusive privilege and a redoubt of resistance towards integration, a singular territory that the rest of the Europeans necessarily contemplate with mixed feelings of admiration and resentment. The exceptional character of both its placid prosperity and its splendid isolation render it at once excellent and excentric, unsurpassable and unsupportive. Protected by the abrupt relief of its physical geography and by the silent labyrinth of its financial topography, Switzerland defends itself from the wrought-up waters of Europe as Europe defends itself from the convulse currents of the world: islet of calm in a small conflictive continent, it must of course be seen as the shelter of fleeting heterdodoxes it has so many times been; but it should be perceived even more as the armor plating of obscure traffic it still is.

Archaic and arbitrary, this exact state of precise communications and inscrutable annotations has witnessed the cracking of its shield of security and the bruising of the skin of its self-esteem. The catastrophes of the Alpine tunnels have blocked essential arteries, while the crevices in banking discretion have wounded obstinate dogmas, simultaneously strengthening its inaccessible insularity and its accessibility to scrutiny. The choleric assassination of 14 congress members at the canton of Zug has shown that the Helvetians are not immune to the morbid virus of trivial violence, and the temporary relocation of the Forum of Davos to a hurting and surveyed New York has made evident that not even at the Grisons may the peace of citizens be guaranteed. Last but not least, the crisis of Swissair has devastated a business and political symbol, dragging along in its disrepute the government and the two largest banks, UBS and Credit Suisse, responsible of a humiliation which has fractured the somnambulistic pride of a self-absorbed nation.

Flawless builder of an architecture weathered by a generous budget and a demanding climate, Switzerland has delivered a harvest of exquisite works which have made us pilgrims of the Alps, palmers of Basel or Zurich, and devouts of a cluster of scattered sanctuaries which attract the attention of the onlookers to villages of laborious access. Distractedly disdainful towards engineering and deliberately deferential towards the landscape, these tough and elegant projects enter into dialog with Swiss referents without scorning the vehement adhesion to a timeless cosmopolitanism; but they were excluded from the the last edition of the European Mies van der Rohe Prize for their voluntary detachment from the common institutions. Exceptional in their strongbox autism and exceptional in the beauty of their tactile matter, the Swiss buildings of today have their clocks held-up in the intact moment of their exempt exception: exempt from history, exempt from drama and, until yesterday, exempt as well from exceptional fear.

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