Luis Fernández-Galiano   Monuments molt: they change skin, change image, and change meaning. As living heritage, they renew their renders and their walls, transform their outer appearance, and modify their symbolic content; and as vulnerable heritage, they experience decaden

Jean-Yves Jouannais   The huge hill made of Berlin debris conceals the remains of what was a Nazi military academy, denying it the grand heroic status of a monumental ruin.

Luis Fernández-Galiano   Everyday life in Nazi Germany and the interiors designed by Gerdy Troost for Hitler are in stark contrast with the monumental works of Albert Speer.

Jorge Sainz   The question poses a whole moral dilemma: “Can a war criminal be a great artist?” Léon Krier says yes: that Albert Speer was guilty of the Nazi horror, and was also a magnificent architect. To demonstrate that he was a magnificent architect, Krier pu

Luis Fernández-Galiano   The column of smoke of 9/11, which ghostly evoked the memory of the skyscrapers, was soon followed by the project to raise two towers of light – carried out with searchlights pointing skywards six months after the attack – without paying much attenti