(Calatayud, 1950)
Madrid in March has staged the malaise of memory. The city’s Teatro Real has presented The Passenger, an opera whose characters travel on a ship that carries the remembrance of the horror of the Holocaust; the Royal Academy has inaugurated an exhibit
The 1914 sleepwalking elites are warmongers in 2024: Europe rearms in haste guided by leaders with no biographical experience of conflict. Those born after 1945 have lived on a continent that judged war on its grounds inconceivable, even if the disma
Outdoor museums of vernacular architecture, initiated in Scandinavia in the late 1800s, proliferated in Europe in the 1960s and 1970s, and the Ballenberg Open-Air Museum in Switzerland was inaugurated in 1978. Rolf Fehlbaum took over his family’s fur
The work of Bolle Tham and Martin Videgård could well be described with a title of August Strindberg. He published Utopier i verkligheten in 1885, the year of birth of Gunnar Asplund and Sigurd Lewerentz, masters of an architecture that had in their
MMM did lots of things, but will be remembered as the engineer who executed the big urban projects that Alberto Ruiz-Gallardón launched as president of the Community of Madrid from 1995 to 2003 and as mayor of the city from 2003 to 2011. Of strong Ar
At the mention of The Fountainhead, many will automatically think of the King Vidor movie; others, perhaps most people, will associate it with Gary Cooper; but neither the director nor the leading actor deserves as much recognition as the writer and
Liberal institutions, says Francis Fukuyama, act as the canaries in the coal mine, and warn about the threat of an authoritarian assault. John Gray is more pessimistic, believing that liberal civilization based on tolerance is history, because the st
In the cold Berlin morning, the tractors on the avenue leading to Brandenburg Gate line up with the discipline of an invading army. Norman Mailer wrote The Armies of the Night moved by the 1967 March on the Pentagon, and today’s armies of dawn that h
Sister magazines AV and Arquitectura Viva (born respectively in 1985 and 1988) were advertised for many years with an oil on panel painted around 1594 by an anonymous author belonging to the Second School of Fontainebleau, depicting Gabrielle d’Estré
The magazine AV, which will soon turn forty, has published thirty Spain Yearbooks to date, and with this one it launches a new editorial phase.
The year of artificial intelligence and of the war in Gaza has also been the one that has let the voices of the Global South be heard more clearly. After a year of universal use of ChatGPT, AI rises on the horizon as an extraordinary technological ad
Both praised by Bill Gates, the Czech-Canadian scientist and political analyst Vaclav Smil and the Danish economist and political scientist Bjørn Lomborg propose a reality check: Smil’s How the World Really Works and Lomborg’s Best Things First invit
Kenneth Frampton has the handwriting of an architect: an elegant and regular calligraphy that shows the visual culture of a disciplined education. When awarded the Golden Lion at the 2018 Venice Biennale, the British historian and critic said of his
Trade unites, and its paths weave a web that holds the world together. Faced with shrinking globalization, with many countries preferring geographical or ideological proximity in their exchanges, to defend the links created by commercial traffic is t
Balancing on the diving board of his pool while addressing Getty Center scholars during a farewell dinner in the summer of 1990. That is how I wish to remember Kurt Walter Forster, the great Swiss architectural historian who died on 6 January in his
If the Vienna of the Belle Époque has been presented in three movements – the Oedipal rebellion of the Secession in pursuit of naked truth, the stripping-down of ornament in architecture, and the sensual and irrational paroxysm of expressionism – so
If we could sum up fin-de-siècle Vienna with an image, it would be the Nuda Veritas that Gustav Klimt painted in 1899, a representation of the naked truth that the members of the Secession chose as an emblem. Defenders of a new way of creating and in
If Paris found itself at the close of the war caught between the euphoria of the city’s liberation by the American army and the trauma of the horror of the Holocaust, the United States saw the termination of hostilities under the dark shadow of the n
If the gilded moment of Vienna ended with World War I and the artistic protagonism of Paris with World War II, the cultural scene of New York blurred from 1968 on. A good number of the abstract expressionists had died young. Peggy Guggenheim had retu
Generative artificial intelligence prefigures digital life. If the great geopolitical event of 2023 is the war in Gaza, perhaps the most important gathering has been the one held at Bletchley Park, where 28 countries warned about the existential dang
The AV/Arquitectura Viva project celebrates four decades in 2024, and this anniversary has prompted a stocktaking of our career, using as guiding thread my last lecture at the Madrid School of Architecture, where I tried to explain to what extent vis
This monograph collects the four lectures given at Madrid’s Fundación Juan March between 5 and 14 March of 2019. The series, ‘Four Cities: Episodes in the Cultural History of the 20th Century in the West,’ gathered a large audience, which multiplied
In 17th-century Holland, the microscope and the camera obscura for evermore changed the way we behold. The historian Laura J. Snyder describes this phenomenal mutation in how we perceive things through two figures who coincided in time: Antoni van Le
Color choice is not innocent. Every tone and nuance of the chromatic range has a symbolic weight that overlaps with its aesthetic dimension, making it impossible to regard the decision to use one instead of another as an exclusively visual matter. Ar
At the close of 2023, AV magazine enters its fortieth year, with the Spain Yearbook launched in 1994 having completed thirty volumes, and AV Proyectos turning the corner of twenty years. This triple anniversary encourages to refresh the editorial pro
At the end of the past century, a world without walls seemed feasible; in the first decades of this one, walls spread without control. Many are physical, fragmenting the territory with inaccessible precincts; others are judicial, segmenting the popul
The theorist of classicism Rob Krier passed away in Berlin on 20 November at 85 years of age. Like his younger brother Léon Krier, he defended his traditionalist convictions through drawing, and both added a great deal of graphic eloquence to buildin
Like Samson in his captivity, Israel is eyeless in Gaza. Captured and blinded, the Israeli hero regained his phenomenal strength to tear down the columns that held up the temple and make his enemies perish with him. The Biblical story inspired a poem
Approaching Fuensanta Nieto and Enrique Sobejano’s work we are drawn to the pentagonal temptation of charting the perimeter of their design strategy with five paragraphs in a vocalic sequence. The first one focuses on their artistic autobiography, be
Spain’s 20th century causes sighs of pain and relief. Fuentes and Rueda’s Diccionario de símbolos explores the tragic and festive images of a history which in its latest stretch incorporates events of the 21st, such as the 11-M terrorist attacks or t
Rafael Moneo presentó su monografía de AV el 13 de septiembre de 2023 en la Fundación Arquia, con un acto introducido por el vicepresidente de Arquia Banca Alberto Alonso Saezmiera y la directora de la Fundación Sol Candela, en cuyo coloquio final in
The bathroom deserves a revision. We routinely recall inventors like Elisha Otis or Willis Carrier because the elevator or air conditioning transformed architecture, and ritually remember women who, like Margarete Schütte-Lihotzky, created the modern
The Republic of Turkey celebrates its centenary on 29 October 2023. Founded by Mustafa Kemal Atatürk on the ruins of the Ottoman Empire, and led for the past two decades by Recep Tayyip Erdogan, the country in February suffered earthquakes that left
Martin Wolf and Kohei Saito are antithetical figures: the veteran economics commentator of the Financial Times and the young philosophy professor at the University of Tokyo tackle the state of the world from opposite stances but coincide in detecting
Norman Foster has published three books which are great works. Their colossal dimensions belie the intimate attention given to every page, because the architect’s hand and gaze is all over. Taschen’s monumental two-tome monograph is signed by Philip
Expert on hybrid structures, honored with the National Engineering Award, and author of twenty-six bridges and an endless list of works with architects like Foster, Isozaki, Ando, Pei, Navarro Baldeweg, García de Paredes, Cruz & Ortiz or Miralles, Ju
After two decades, the Swiss partners again exhibit in London, a city that saw their first international success with the opening of Tate Modern.
Fortress-Europe lodges migrants at sea. The Bibby Stockholm, a residential barge built in 1976 to be used as alternative accommodation, has become a symbol of the migratory crisis upon docking at a British port, coinciding with the approval by the go
Xenophon came to be highly popular among students of classical Greece because the simplicity of his language was perfect for translation exercises, perhaps in the same way that Julius Caesar’s Commentaries on the Gallic wars helped many of us learn t
Luis Fernández-Galiano Críticas y crónicas
Various authors
Madrid 2023
Instituto de España - 252 Pages
Luis Fernández-Galiano 1984-2021
Luis Fernández-Galiano Textos y dibujos
Luis Fernández-Galiano
Madrid 2020
Ediciones Asimétricas - 136 Pages
Luis Fernández-Galiano Las grandes esperanzas (1976-1984)
Luis Fernández-Galiano Las grandes esperanzas (1985-1992)
Luis Fernández-Galiano
Madrid 2019
Fundación Arquia - 120 Pages
Luis Fernández-Galiano
Madrid 2019
Fundación Arquia - 120 Pages
Luis Fernández-Galiano Madrid 2019 - 208 Pages
Luis Fernández-Galiano Madrid 2019 - 352 Pages
Luis Fernández-Galiano Madrid 2019 - 352 Pages
Luis Fernández-Galiano Lisa Heschong
Tallinn 2018
Eesti Kunstakadeemia - 64 Pages
Luis Fernández-Galiano Años alejandrinos 1993-1999. A Chronicle of Architecture
Luis Fernández-Galiano Años alejandrinos 2000-2006. A Chronicle of Architecture
Luis Fernández-Galiano
Madrid 2017
Fundación Arquia - 124 Pages
Luis Fernández-Galiano
Madrid 2018
Fundación Arquia - 104 Pages
Luis Fernández-Galiano
Madrid 2018
Fundación Arquia - 108 Pages
Luis Fernández-Galiano Madrid 2017 - 240 Pages
Luis Fernández-Galiano Madrid 2016 - 352 Pages
Luis Fernández-Galiano
Madrid 2016
Fundación Arquia - 52 Pages
Luis Fernández-Galiano
Madrid 2016
Fundación Arquia - 68 Pages
Luis Fernández-Galiano
Madrid 2016
Fundación Arquia - 56 Pages
Fuensanta Nieto & Enrique Sobejano, in dialogue with Luis Fernández-Galiano, presented our double monograph devoted to their practice on 7 March at Fundación Arquia. Experimentation and dialogue are the central axes of Nieto Sobejano’s creative proce
Luis Fernández-Galiano received the Award for Values of Spanish Architecture on 29 February at the Royal Academy of Fine Arts in Madrid. He upheld architecture and architects in an acceptance speech that can be viewed in the video of the ceremony, an
Luis Fernández-Galiano gave the inaugural lecture, speaking on the healthy city, at the 32nd National Psychiatric Updating Course held in Vitoria from 28 February to 1 March. Here is the interview he gave in line with the event, as published in the n
Luis Fernández-Galiano has been distinguished with the Award for Values of Spanish Architecture, one of a series of accolades which the association Foro España Cívica gives to individuals with proven excellence in their respective areas of knowledge
Stores in 50 Spanish provinces are used to paint a graphic and literary portrait of an urban landscape of traditional charm that deserves to be saved from oblivion.
This photographic and literary journey through shops of the fifty Spanish provinces recovers the languages of popular architecture in the signs and facades of old establishments, and travels along the country’s sidewalks in search of ‘the common beau
The AV/Arquitectura Viva project celebrates in 2024 its fortieth year, and the magazine has wanted to mark the occasion with a special issue that reproduces the last lesson Luis Fernández-Galiano gave at the Madrid School of Architecture before his r
A species in extinction, a fragile koala still existing even though the ecosystems it thrived in no longer do, architecture criticism has for a while now been facing the question of how to die. Some part of it will take leave of us discreetly, bequea
Six years after the opening of his foundation in Madrid, on 26 September Norman Foster headed a public launch of the Norman Foster Institute, an educational center that will draw from his indefatigable anticipation of the future to focus on cities an
On 13 September Rafael Moneo presented AV Monographs 250, devoted to his oeuvre, in the course of a relaxed conversation with Luis Fernández-Galiano, after which a number of guests put in a word. Unlike in other encounters in which he has looked back
Over the course of a fruitful career as critic of the newspaper El País and visible head of the magazines AV and Arquitectura Viva, Luis Fernández-Galiano has written on architecture and many other things. A rich sampling of his articles has now been
Set to open on 29 April, the exhibition ‘Parque del Drago, 1998-2023: 25 years around the thousand-year-old dragon tree,’ curated by Fernando Menis, will be presented by Luis Fernández-Galiano at the Visitor Center of Dragon Tree Park, in the Tenerif
Titled 'The Spanish language, mixing, and interculturalism,' the 9th Spanish Language International Congress in Cádiz took place from 27 to 30 March 2023. Organized every three years by the Cervantes Institute and the Royal Spanish Academy in collabo
In the interview, held at the Norman Foster Foundation, Luis Fernández-Galiano explains his relationship with Norman Foster, how his innovative design has changed the world of architecture, and how they worked together for the Norman Foster Foundatio
In line with the opening of the new Arquia headquarters at Tutor 16 in Madrid, a forum was held there on 30 November, titled ‘Sharing Experience,’ in which prominent architecture figures, with Luis Fernández-Galiano as moderator, voiced their reflect
On these covers, the rough strokes of nine female painters illustrate the intellectual and social mutations that have marked recent times. The transformation is the theme of ‘Debates,’ the latest addition to the book series – published by Arquitectur
On 10 October, with King Felipe VI presiding, the Royal Academies of the Institute of Spain (IdeE) commenced the 2022/2023 course with a ceremony held at the San Fernando Royal Academy of Fine Arts, It fell upon Luis Fernández-Galiano, a full-fledged
The new head of the United Kingdom is an advocate of traditional architecture and has promoted it in his estates in Cornwall through a development, Poundbury, with Léon Krier as principal advisor. During his time as Prince of Wales he wrote texts in
Arquitectura Viva and its director, Luis Fernández-Galiano, understand and regret the discomfort caused by the series Conversations. Filmed between 2013 and 2018, this documentary series of Fundación Arquia, now being streamed on Netflix, was left un
Running one of the most prestigious architecture firms in the world, David Chipperfield is particularly appreciated in Spain, not only by virtue of his beautifully balanced work but also because of the warmth that radiates from one who spends long pe
The second pandemic year began with the horror of seeing the United States Capitol invaded by a multitude rejecting the results of the presidential elections, and ends with a sixth viral wave caused by a more contagious new variant named Omicron. In
Imagine that Renzo Piano is a cell. The nucleus of his DNA would be an image of the shipyards of the city of Genoa; if the cell were Norman Foster, the helix would be the sequence of a science fiction cartoon strip; and if the cell were the duo Jacqu
As part of the proceedings of the UIA General Assembly in Rio de Janeiro, Barcelona has been announced the winner of the bid to host the World Congress of the International Union of Architects (UIA) and be UIA-UNESCO World Capital of Architecture in
On view through 29 April at the Ateneo de Madrid is a walk through the pictorial work of the architect Javier Sánchez Bellver (Madrid, 1951), organized on the occasion of the publication of the catalog La vida quieta (Lapislázuli, 2019), with a forew
Luis Fernández-Galiano was twice on a scholarship program of the Fundación Juan March – in Spain in 1976-1977 and abroad in 1966-1968 – but his first lecture at the foundation headquarters took place in 2010. In the course of a decade thereafter, he
Curated by Luis Fernández-Galiano, the exhibition is a journey through the many works of Carme Pinós that follows a clear guiding thread: the importance of context and environments in the creation of architectural space. Prominent among them are the
In the past three decades, Luis Fernandez-Galiano, editor-in-chief of this magazine, has produced an exceptional treasure of texts on contemporary architecture. I know of no one in the field who is so thoroughly aware of facts and trends of the momen
Jacques Herzog For a young architect at the beginning of his career it is a challenging moment to see the widely admired work of established colleagues, often with a mixture of disdain and admiration. For my generation this moment was in the 1980s, a
Luis Fernández-Galiano gave a series of lectures over different years for the Friends of the Prado Museum Foundation: ‘Jerusalén y Babilonia en el siglo XX’ ‘Del Gabinete al Campus: las transformaciones de la sede del Museo del Prado’ ‘El clasicismo
President Biden ordered the revocation of the Executive Order, “Promoting Beautiful Federal Civic Architecture,” signed by former President Trump on December 18, 2020. The Trump order, mandating the preference for “traditional and classical architect
The ICO Museum in Madrid hosts a retrospective exhibition that the public can view through 9 May, presenting 80 projects by the architect Carme Pinós and the eight she carried out with Enric Miralles. In accordance with the theoretical and spatial ap
Curated by Luis Fernández-Galiano and on view from 10 February to 9 May, the exhibition is a journey through the many works of Carme Pinós that follows a clear guiding thread: the importance of context and environments in the creation of architectura
Sometimes criticism twirls around itself, as in going from judging buildings to questioning its tools, even its essence. When this happens, it is through cover-up, on the pretext of a conventional theme, or plain opportunity. The collection of texts
Calatayud, 1950. Arquitecto, catedrático y editor de las revistas Arquitectura Viva y AV. Las grandes esperanzas reúne sus escritos del periodo 1976-1992 en dos tomos: Fracturas y ficciones y Empeños sostenibles. PREGUNTA. En 45 años de escribir sob
As part of the Textos críticos series published by Ediciones Asimétricas, Luis Fernández-Galiano has gathered twenty articles that look at architecture and the city from an ecological perspective. The real estate bubble, the transformations in the la
Late in 2018 we published the two volumes of Alexandrine Years, which presented – in two languages, Spanish and English – a collection of articles that appeared in El País from 1993 to 2006: the first one, The Age of Spectacle, covered architecture d
In line with the 20th anniversary of the death of Enric Miralles on 3 July 2000, we reprint Luis Fernández-Galiano's tribute to the Catalan architect, published in AV Monografías 87-88.
Architecture is ideas and forms, but both crystallize through matter. While a building is prefigured in the immaterial geometries of the design, it takes shape in the physical world by means of materials and techniques. The intricate interplay of int
Se recogen aquí algunas reacciones críticas a Años alejandrinos, los dos volúmenes que reunían una buena parte de mis artículos en El País entre 1993 y 2006. La obra fue presentada por Norman Foster y Rafael Moneo el 19 de febrero en Ivorypress, y el